Gry Ulfeng

Thompson, Nato, Living as Form. Socially Engaged Art from 1991-2011, Cambridge: MIT Press,

2012.

Althusser, Louis, Ideology and Ideological State Apparatus, Sage: in association with Open University, 1999.

Arns, Inke og Sylvia Sasse, “Subversive Affirmation. On Mimesis as Strategy of Resistance” i Irwin (red.) East Art Map: Contemporary Art and Eastern Europe, Cambridge/MA/London: MIT Press, 2006.

Bishop, Claire, Artificial Hells, participatory art and the politics of the spectatorship, London og New York: Verso, 2012.

- "Antagonisme and Relational Aesthetics”, i OCTOBER, Ltd. and Massachusettes Institute of

Technology: høst 2004, ss. 51-79.

Halpern, Manfred, Transforming the Personal. Political, Historical and Sacred in Theory and Practice, David T. Abalos (red.), Scranton og London: University of Scranton Press,

2009.

Hoptman, Laura og Tomáš Pospiszyl (red.), Primary Documents. A Sourcebook for Eastern and Central European Art Since the 1950s, New York: Museum of Modern art, 2002.

Fischer-Lichte, Erika, Aesthetic des Performativen, Frankfurt am Main: Suhrkamp, 2004. (The Transformative Power of Performance: A New Aesthetics, London: Routledge, 2008.

Jackson, Shannon, Social works, Performing arts, Supporting Publics, New York og London: Routledge, 2011.

Laclau, Ernesto og Mouffe Chantal, Hegemony and Socialist Strategy Towards a Radical

Democratic Politics, London og New York: Verso, 2014.

Laclau, Ernesto, Emancipation(s), London og New York: Verso, 1996.

Lehmann, Hans-This, Postdramatische Theater, Frankfurt am Main: Verlag der Autoren, 1999. (Postdramatic Theatre, Karen Jürs Munby (overs.), New York: Routledge, 2006.)

Malzacher, Florian, "Empty Stages, Crowded Flats, Performing curating performing arts”, i Scenekunsten og de unge, Sidsel Graffer og Ådne Sekkelsten (red.), Oslo: Vidarforlaget, 2014, ss. 116-125.

Mouffe, Chantal, Om det politiske, Oslo: Cappelen Damm Akademiske, 2015.

Rancière, Jacques, The Emancipated Spectator, Gregory Elliot (overs.), London og New York: Verso, 2009. 2014.

- Aesthetics and its discontents, London: Verso, 2011.

Rudnitsky, Konstantin, Russian and Soviet Theater, Tradition and the Avant Garde, Roxane Permar (overs.), London: Thames and Hudson, 1988.

Sellar, Tom, "The Cure" og "The Curatorial Turn", i THEATER, vol. 44, nr. 2, Yale: Duke University Press, 2014, ss. 1-3 og 21-45.

Stegemann, Bernd, Kritik des Theaters, Berlin: Theater der Zeit, 2013.

Yurchak, Alexej, Everything was Forever, Until It Was No More. The Last Sovjet Generation, Princeton, NJ: Princeton University Press, 2006.

Zizek, Slavoj, The Sublim Object of Ideology, London: Verso, 2008.

Featured Posts
Recent Posts